February has been a month of change: last week I stepped down from my position as Co-Artistic Director of the Redshift Music Society. After seven incredible years of working with an inspiring roster of performers, composers, and friends, I felt it was time to explore new career directions and dedicate more time to performing. With that in mind, I couldn’t be more excited about the coming weeks. On February 26th, Tiresias — my duo with pianist Rachel Kiyo Iwaasa — departs for the Banff Centre for a week of intense rehearsing, followed by the recording of our new CD. This album, entitled Halos of the Moon, is a project that is very dear to both Rachel and me, as it is a musical exploration of the ties that unite Japan and Canada (both Rachel and I are “Hapa”: individuals of both Japanese and Western heritage). Halos of the Moon will feature music by Japanese composers who have had links to Canada (Toru Takemitsu and Jo Kondo),Canadian composers of Western descent who have been influenced by Japanese musical culture (Elliot Weisgarber, Derek Charke, and Anthony Genge), and Canadian composers of Japanese heritage (Kara Gibbs and Hiroki Tsurumoto). It’s a beautiful, challenging programme. And, I must admit, Rachel and I are so excited about returning to Banff we have to control ourselves from spontaneously squealing with delight during rehearsals (actually, if you knew either of us, you’d know we’re not the types to squeal. But we still feel like doing it).
This morning we announced the lineup for @queerarts Festival 2022: Hauntings, and I’m so glad that my first QAF as AD includes this amazing human being. Some of you may know her as @bijuriya.drag, others may know him as @gabdharmoo, but either way They. Are. Fabulous.
No surprise, but it turns out @indigovdw is the *best* art tour guide. People literally started following us around because they wanted to overhear her talk about the work of #LarryClark, #KatyGrannan and #AndresSerrano. Thanks for the date to @renniecollect, Valérie!
My shadow is macho, even if I’m not.